Arts & Faith: Good Friday

Arts & Faith: Good Friday

Titian, “Christ and the Good Thief,” circa 1566

Arts and Faith: Lent

Titian’s Christ and the Good Thief immerses us in the somber, raw spirit of Good Friday—one of agony and heartbreak. But even in this, we see a sign of hope and conversion in the example of the Good Thief. Titian’s composition and use of color set the mood. The painting is almost monochromatic, using a range of rust from its darker to lighter tones, evoking earthiness, but also the color of spilled blood. Both Christ and the Good Thief are off center, with a supple but ominously gray column of rising smoke dominating the central space. To the right, Jesus’ dying body is luminous, but a contrast with his hanging, exhausted head. It’s a juxtaposition of life and death, light and darkness. On the left side in the shadows, the Good Thief is animated by his conversion, his final moments which become his most important ones in life. His shaded body dimly reflects Christ’s luminousness, but the light of his eyes also comes from within, a clear white spot piercing the rusty darkness.

Titian’s bodies are in conversation. Christ hangs in stillness after hours of agony, conveying, “It is finished,” but also a sense of stability and assurance for the Good Thief. The Good Thief is experiencing conversion, his chest forward and face toward Christ, an embodiment of his turning his mind and heart to Jesus Christ. His arms signal the turn he is taking—from the left hand hanging clenched in the gray smoke to his right hand raised animatedly, reaching for the heavens and offering his faith response to God’s loving invitation.

Isaiah’s description of the suffering servant helps us understand the conversion of the Good Thief. The man’s sin led him to his death sentence, but he now recognizes in Christ the freedom, hope, and promise possible even at his final moments. Looking at Christ, the man’s eyes are opened to see that it is his infirmities Christ bears, his suffering that he endures; he understands that the Lord is pierced for his offenses and crushed for his sins. A person of sin knows that to lift these burdens is an immeasurable gift of freedom, new life, and possibility. In this the Good Thief rejoices and anticipates true freedom, even while his body is nailed to a cross. As we approach the cross in veneration this Good Friday, where do you yearn for freedom, hope, and possibility in your life?


Daniella Zsupan-Jerome Commentary is by Daniella Zsupan-Jerome, assistant professor of liturgy, catechesis, and evangelization at Loyola University New Orleans.

Related Ignatian reflection on this week’s art


Note to Self

The Art of Teaching

In Chapter 18 of Finding God, Grade 7, young people remember the suffering of Jesus on the cross. Discuss with young people how Titian’s painting speaks to what it means to realize how deep God’s love for us is and what Jesus’ sacrifice means. Tell young people that when they are suffering, it is easy to forget about the hope and faith that the image of the cross represents. Ask them to write a letter to themselves that they can read for encouragement the next time they are suffering. Suggest that they include a prayer, words of hope and faith, a Scripture verse, or another reminder of Jesus’ suffering and presence with them throughout times of trouble. Suggest that they draw a cross at the bottom of their letter to remind them that Jesus is next to them and cares for them. Have them seal their letter in an envelope and take it home.